livro alterado

página de livro sobre cirurgias + guache + nanquim.

paulo rafael. 2013.

abstraction

abstraction almost

fotografia. paulo rafael. 2013.

men at work

self

tinta guache, caneta nanquim, página de livro.

paulo rafael. 2013.

tree

tree. men at work. recife.

paulo rafael. 2013.

software error

o software de tratamento de imagens me deu este resultado.

paulo rafael. 2013.

recife

bar

courtain

daniel feingold

Lynn Hershman Leeson

Lynn Hershman Leeson. Roberta's Construction Chart #2. 1976

Between 1974 and 1978, Leeson assumed the fictional alter ego Roberta Breitmore, a single woman in the San Francisco Bay area during years of tumultuous social upheaval. Breitmore’s background, education, and childhood memories are a composite of accumulated psychological data. Leeson, as Breitmore, wore makeup, a blond wig, and a certain style of clothing; she maintained a small apartment, had a checking account, credit cards, and a driver’s license, saw a psychiatrist, participated in the Weight Watchers diet program, and placed personal ads looking for dates—men who became unwitting participants in her performance. In the third year of the project, Leeson engaged three other people to perform as Breitmore. The performance concluded in November 1978, commemorated by an exorcism of Breitmore in the Gallerie d’Arte Moderna e Contemporanea, in Ferrara, Italy. All that remains is a cache of documentation, including photographs, drawings, surveillance reports, films, letters, and legal and medical papers; a selection is on view here.

Chromogenic color print, printed 2003, 22 15/16 x 29 5/8" (58.3 x 75.3 cm). The Museum of Modern Art, New York. The Modern Women’s Fund. © 2013 Lynn Hershman Leeson